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Design

Obviously

Sometimes I get obsessed with the complication.

If I put nonbreaking spaces in the links for my See also floating boxes, I don't have to eyeball in and insert manual page breaks.

I should have figured that out sooner.
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See also

In my TPY lexicon, I wanted to make things a bit easier.

For the web links on the definitions, I wanted it justified on the right. I was also tired of hand entering the line breaks. I wanted to automate it a bit. So here is the CSS.

.defref {float: right; width: 60%; font-size: .7em; text-align: right;}



It looks good but it's complicated.

Screen Shot 2018-05-20 at 2.54.53 PM

Here's the code.

<br><div class="defref">
<A HREF="http://www.lifezette.com/polizette/the-shadowy-extremist-group-behind-the-anti-trump-riots/" target="blank">The Shadowy Extremist Group Behind the Anti-Trump Riots</a></div></div>
<div style="width: 33%; height: 1em;"></div>
</p><div style="text-align: center;"><a class="button" style="font-size: smaller; font-style: italic;" HREF="#Aa-box">  index  </a><br><span class="emphatic" style="font-style: normal; font-size: 90%;">http://www.neowayland.com/lexicon/aa/#antifa</span></div>


With the float property, the hack in red becomes pretty important. That keeps the next element, in this case the index button, from drifting up the page. It's also the bit that lets me fine tune the spacing manually.

I used a <br> to begin with because this is the weblink that I quoted from. If it had been just some related links, I would have used a </p>.

Here's a picture that combines the two.

Screen Shot 2018-05-20 at 3.09.11 PM
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Is this the best 404 page ever created?

It's certainly the best I've ever seen.

Financial Times 404 page
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Slowly

David Kronstein fell in love with the capture of high-speed video while a teenager watching Mythbusters. He wanted one of those expensive cameras so bad and thought he had a shot at one in 2006 when an Olympus i-Speed 2 started at a bid of $150 on eBay.

When the bidding surpassed his college budget, Kronstein said, “Screw it, I’ll build one.”

Ten years later, he not only built the camera, he is making it available to average consumers at a tenth of the usual price. (High-speed cameras used in laboratories and TV production studios average around $25,000.)
     — David Pieirni, Affordable slow-mo camera lets you stop a speeding bullet
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